Event Info
- Language: Hindostani
- City / State: Maharashtra
- Directed By: Mohit Takalkar
- Produced By: Aasakta Kalamanch
Chaheta
A play about faith, family and societal constructs of gender
Based on the myth of Abraham, Chaheta(The Beloved) imagines what happened after father and son come down from the mountain. The play explores the psychological scars wrought upon Abraham’s son after surviving the traumatic event and attempts to question the sanity and sanctity of people who claim to converse with God.
A play about faith, family and societal constructs of gender
Three great religions- Islam, Christianity, and Judaism- share the story of Abraham binding and nearly sacrificing his son. Though based on this myth, Chaheta(The Beloved) is not the story of ‘that’ Abraham; it imagines what happened after father and son come down from the mountain. The play explores the psychological scars wrought upon Abraham’s son after surviving the traumatic event. Did Abraham bring his young son to the mountain for the purpose of human sacrifice, as his wife and son believe, or was he simply trying to toughen up his sensitive young son with a father-and-son camping trip? Did an angel of God in the form of a brown sheep, actually intervene on the mountain as scriptures dictate?
Chaheta’s dysfunctional family misplaced in time, walks a fascinating line between inclusivity and alienation and in turn attempts to question the sanity and sanctity of people who claim to converse with God. The violent abstraction that sometimes borders on the absurd takes us to a place far more insidious than we can imagine.
MOHIT TAKALKAR
Abraham
RASIKA AGASHE (MOTHER)
Mother
PRADEEP VAIDDYA
Light Design
SAGAR DESHMUKH (SON)
Son
CAST
Neha Joshi
Wife
Ashish Mehta
Wise Sheep
Suraj Jaiswal
Young Lamb
CREW
Amir Nizar Zuabi
Playwright
Shirin Bismillah
Hindostani Translation
Mohit Takalkar
Design and Direction
Pradeep Vaiddya
Light Design
Rashmi Rode
Costume Design
Suyog Deshpande
Assistant Director
Hrishikesh Pujari
Assistant Director
Tushar Tajane
Publicity Design
Sachin Lele
Light Assistance
Vikrant Thakar
Light Assistance
Darshan Patankar
On-Sound
Devika Kale
Costume Assistant
Mugdha Bhalerao
Costume Assistant
Vivan Vaidya
Production Assistant
Payal Patil
Production Assistant
Vibhav Takey
Production Assistant
Alap Vaidya
Production Assistant
Prajakta Salbarde
Production Assistant
Hitesh Porje
Production Assistant
Ameya Bhalerao
Property Construction
B. G. Limaye
Calligraphy
Nikhil Gangawne
Stills
Jitendra Joshi
Script Supervisor
Ajeet Singh
Script Supervisor
Ipshita Chakraborty
Script Supervisor
Chirag Khandelwal
Script Supervisor
Abhishek Majumdar
Script Consultant
Tansaa (Sonale) TCT Workspace (Kamshet) ELab Studio (Pune)
Rehearsal Space
Nachiket Chidgopkar, Ajeet Kalbag, Ashok Kulkarni (Saarang Theatre Festival)
Special Thanks
MOHIT TAKALKAR
- Best Innovative Sound Design
PRADEEP VAIDDYA
- Best Light Design
RASIKA AGASHE (Mother)
- Best Actor in a Lead Role (Female)
SAGAR DESHMUKH (Son)
- Best Actor in a Lead Role (Male)
This is my second collaboration with Zuabi after 2016's Main Huun Yusuf Aur Ye Hai Mera Bhai, and is yet another piece of proof for the theory. What attracted me to this play was the flawed and underlying masculinity being called out to the nature of guilt as well as the responsibility and morality of instrumentalising human life. The first reading of the play was an unforgettably unnerving experience for me. Chaheta integrates elements from the Qur’an and Genesis, such that devotees of each might still claim ownership. Names matter when dealing with the important issue of lineal succession. The decision to not provide names to any character except for Abraham, deliberates ambiguity regarding names and enhances the play’s mythical status. Through these careful choices, Chaheta invites people of all religions across the world to enter into the story and see it through their own faith and in turn question their religion, the burden of myths associated and the judgment handed over.
Charting the very slow-burning journey of a son who simply cannot connect with anyone in the real world, the play blends mournful poetic instances with brute reality. These dueling registers attempt to reflect the trauma of the boy and are emotionally illuminating.
For me, the play is allegorical, satirical, anti-realist, and one that defies genre labels. A frontal attack on patriarchal assumptions, Chaheta is a also a play about a weakened father figure who must face his own hubris.