This is a stylised adaption and concerns itself more with the psychological realms of the central character, Macbeth. The story is told through the three central characters, Macbeth, Lady Macbeth and Banquo, these in turn being mere reflections of Macbeth himself. It puts aside the socio political perspective of Macbeth and observes the chemical play of fundamental human nature of concerns, deep desires and greed that don on the stage of the conscious and subconscious mind of human beings. It perceives Shakespeares Macbeth as surreal poetry. This play is structured more as a ritual, a psychological saga to rekindle and awaken the soulless mob on the run. This surreal poetry on stage intends to provoke the spectator to touch the deep image atleast once.