The twenty-first century is the age of the electronic image. From every corner of our world, electronic images fling themselves at us, entertaining, educating, enticing, offering us a virtual world of global dimensions to immerse ourselves in. The very notion of a private self seems threatened by this onslaught from outside. But suppose the most vociferous of these images were one’s own?
Manjula Nayak is a not very successful Kannada short-story writer…. Suddenly she becomes wealthy and internationally famous by writing a best-seller in English. The question haunting Manjula is whether in thus opting for the global audience she has betrayed her own language and identity. A little-known face in Karnataka, she has now acquired an international image. And inherited problems of loyalty and betrayal. And, without warning, it’s her own image that decides to play confessor, psychologist and inquisitor.